🎰 Le Casino Cinema D'antibes, Roquefort-les-pins | Ticket Price | Timings | Address: TripHobo

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Popular attractions Promenade de la Croisette and Cannes Harbour are located nearby. Rue d'Antibes - 7 min drive; Le Croisette Casino Barriere de Cannes - 7 min drive; Cannes Harbour - 7 Small-Group Cannes & Cinema Vespa Tour.


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It was unsuccessful. On the left, the large book office, no a "site office" as in Antibles usual one. All rights reserved. The resort decline began in the seventies. A Cinema of Our Time. I apologize for dates errors: in this time I was a child. Without that, the Capri would be a ghost location. However, growing of car importance was watched by Capri managers; they build the theatre along the famous Nationale 7 - National Road number 7 - between Antibes Today it would be an obvious logic but in these times the forerunners were some years ahead! Readers and fans of 70mm are always welcome to contribute. Read more at in70mm. During summer the Capri was successful with performances about 6. Unfortunately, just before the closing, they built a pizzeria, wieving on the screen with a large window! Further in 70mm reading: Version FR Internet link:. Go: back - top - back issues - news index Updated {/INSERTKEYS}{/PARAGRAPH} No selected engagements, Cannes and Antibes cinemas were chosen for first releases, and Capri owners were literally stifled, condemned to play "old " films in 1. In the sixties, the resort was at its height: in the Goud pinewood most of international stars were welcome at the Jazz festival from Ella Fitzgerald to Miles David. When the curtain opened in the front of the huge curved screen, audience was filled for admiration with ah! In the bottom of the curtain was located a big jardiniere with exotic plants, lighted with green spotlights and just before features and during 70mm roadshows musical overtures fountains were in action. It was a marble entrance hall with a bar and barman. The End. Unfortunately the Capri was only oprational for 5 years! A seats theatre was built with an about cars space to park, in a desert location. I remember very well the projectionists, Joachim and Christian : one of the best days in my life was when I have had permission to enter in the "Holy of Holies", the large projection room with 2 Cinemecannica Victoria 8. During the screening of "Doctor Dolittle" , I was authorized to do a changeover myself! It will be evident later: today in Antibes it's only the Casino including 3 theatres, most of audience preferring to go and see a film in Cannes, 15 minutes by car. This account is to maintain memory. Date: 3 March Devoted today to fast food and other video games theatres, Juan-les-Pins was formerly one of the most crested French Riviera seaside resorts, the rival of Saint-Tropez. Extracts and longer parts of in70mm. {PARAGRAPH}{INSERTKEYS}Both during making and during running the films in projection rooms and as the audience, looking at the curved screen. The reasons, according my personal opinion: 70mm films more and more rare and no new films. In these times owned 4 theatres: the Palmarium, the Rex, l'Antipolis and the Casino, and a a moth-eaten in Juan, the Ritz. A wall to wall curtain in two parts for the ad , masking a square meters screen, in these time it was very impressive for us. Even roadshows promised to be screened on this panoramic curved screen were showed in theatres where projection quality did not stand up to comparison. The theatre was inaugurated with a Todd-AO 70mm festival, first screening was "Cleopatra" , is these times listed as a third rate film, today a masterpiece. We were welcomed by pretty in uniform usherettes it was full different from the unpleasant old biddies in other theatres. On the French Riviera, boats are more lucky than cinema. Visit biografmuseet. They guided us inside the theatre, and the first time it was wonderful: a large cubic rectangle with golden wall carpet in matching tones. Re-releases of course, but in an unusual format for us. In the eighties, the break was closing of Provencal hotel, to day in pathetic abandoned shape. It was no rare, in these clubs, to see during a jam session an "ox" in French musicians as famous as Louis Armstrong, Oscar Peterson or Lionel Hampton. In these times most of people was smoking: the managers had built a location where audience could see the films trough a window, seated in club seats. It was not the time of "full car" and the competition with Cannes - a dozen of theatres in this time - did not showed. He was a real "crazy", a real innovator, with a latin lover physique, welcoming audience with a spotless haute couture dress. These films, played at Le Capri, have marked my memory.