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How Araki works on Weekly JoJo: First, I draw the "name" on report paper, which takes about 12 hours. Names: As you already know, most of my character's names are named after foreign musicians. Work begins on Monday, where we work from 11 in the morning to 12, though we do take a siesta for lunch from 3 to 4. On Friday and Saturday, I sit back and relax, draw illustrations, go somewhere to interview people, look for ideas or info for my works. I read his comics until they were worn out. Wanting a sequel to previous works. For Okuyasu Nijimura, I used Niji which meant rainbow and chose "Nijimura" specifically cause it had a nicer ring to it than Nijioka or Nijiki. Bloodline is important. Like when I'm drawing a scene where a "DOOON" ドーン! appears, here comes ゴゴゴ to add a more ominous, something-is-happening touch! Characters I hate are ones I really tried to make look disgusting, unpleasent e. I couldn't work as a team. Similarly, I always get letters asking me to revive Kakyoin, or bring back Polnareff for Part 5. Now is what matters most. I gradually felt sick while drawing them. Maybe the JoJo anime will help them get interested. I commented "My parents don't understand my manga" on the cover of a comic before. I'm not really good at research though laugh , or talking to people I first meet. From the very beginning, I had already decided on the name Josuke Also read as JoJo , but deciding the family name gave me a hard time. Well, it makes it easy for me to name characters and easy for readers to remember them. Depicting good characters is fun, but I guess depicting bad ones can be more fun since I can make them do anything illegal or destroy everything. My Childhood: I began drawing by imitating Shirato Sanpei's "Watari" or Chiba Tetsuya's "Harisu no Kaze" when I was 5 or 6. I was quite a normal child, but I was much more cool-headed than others. This idea boggled me. I didn't like that part of group sports. They still don't understand, which is puzzling to me because I draw manga with respect to Eastwood, whom my Dad loves. I loved period plays Stories that take place in Feudal Japan. Though I'm having trouble thinking of any other JoJo puns, so I were to start Part 5, I'd probably have a hard time. I always have so much work that if you ask me it it's tough, I'd say it very much is. My works resemble a diary in that I don't put too much thought into what I had previously written, but more so into drawing what I'm feeling NOW. The atmosphere of the scene is what decides when I put this sfx. I love characters that have their own aesthetics. Everyone feels like that at some point, right? Jotaro's School Outfit: I decided Jotaro must be in a school uniform due to influence from "Babiru the second," a famous manga of a boy in a gakuran having an adventure in a desert. On Tuesday and Wednesday we work as we do on Monday, and I make sure it's all finished by 6pm on Wednesday. It seems so long ago, back when you could watch "Ultraman" on TV. At times I'm on a roll when it comes to coming up with ideas, and other times, it's hard for me to come up with anything. Note: He did end up bringing back Polnareff, though in another interview he mentions adding him in was a last minute choice. Note: mura 村 means village, oku 億 means one hundred million. I was such a pushover for "Spaghetti Western movies" and "Clint Eastwood. Other than Eastwood's, I loved the Godzilla series, or panic-filled movies. I was also originally thinking of depicting a world after death, but didn't think anybody could relate to it. I joined the baseball team once, but when I failed to catch, pitch or hit, everyone stared at me. The problem was that Part 3 was a worldwide trip, so while Jotaro had to move on from the suburban setting, I couldn't. I didn't show any interest toward plastic models or radio-controlled model cars. Otherwise, if we get too lazy, we never actually get any work done. Why the heck can't they get to like my work? My way of adding SFX's and choosing lines is similar to making music in a way. His big bro, Keicho's cho 兆 means trillion I combine my favorite kanjis with sound taken into consideration, whether it it's easier to say or not. Definitely Josuke and Jotaro, and Dio, N'Doul, D'Arby. What is at the very core of my works is same as Eastwood's. I've never experienced a "slump" the time a mangaka cannot draw anything, and gets nowhere , but there are times where I don't FEEL like doing anything. Really, I don't have anything lingering whatsoever for Part , my previous works. The result ended up having every character named after Italian food. Good characters tend to be bound by rules, but it's fun to work with them because at a certain times they begin to have a weird eccentricity. For the rest of the time on Wednesday, I deal with determining the plot for the next chapter. 東方 Jojo of the east side By the way, for Kujo, I looked into the dictionary and found ku meant sky and figured that sounded nice. I figured this would enable me to take anything people are familiar with in everyday life and do something creative with it. I don't think I will though, since characters with similar natures are already present in Part 4. Either way, I'm quite strict when it comes to my schedule, and I deal with my work quite squarely. Although, I'm more of a "forgetting" than "moving-on" type of person laugh. I've always thought how cool it was to have an adventure in a school uniform. Part 4's another story though, as I had to come up with so many Japanese names. Why do I do this? What's worse is that the names I give can sometimes cause confusion; "Kakyoin" for example, is the name of a place that exists in Sendai, my hometown. It permeated a sense of "a man's spirit of romantic adventure," and "beauty" that could only be found from a boy having an adventure in a school uniform in a desert. Like it's ok for me run alone, but I could not do relay races; I didn't want the responsibility. During daytime, I have to give instructions to my assistants, which often stops our work, so ironically the time when I get the most work done is when my assistants go home. Even though I say this, you'll likely ask, "then why did Jotaro and Joseph show up in Part 4, weren't they done too? I remember my stomach being filled with butterflies when I tried talking to the people who take care of the animals at the zoo. I also made original stories, like muscle men fighting villains. That was tough! ゴゴゴ: You encounter ゴゴゴ alot in my works. This sound effect is kinda the "groove, "tempo", or "rhythm" I feel when drawing. I was like that kid calmly looking at others raising hell. Which type of character is easier for me to draw, good guys or bad guys? Then I have a meeting with my editor, and after I begin drawing more elaborate sketches and eventually inking. Well, they're already done in my mind. This system allows for my assistants to work on each page more efficiently. There were so many manga titles I loved back then sports comics, ghost related, I even bought the very first issue of Jump! I thought, maybe I could set a hospital as a battle stage, or involve someone like a mayor in the story.

Note: JoJo was released in Well, it's suppose to continue after Part 3, and I figured "" could add some type of "turn of the century" feel to it. Yep, that's it laughI don't progressive ko poker strategy coming up with original names. I thought, if the adventure were to happen in just one city, I could take advantage of the concept of several people you'd meet around town suddenly threatening you and lurking about.

Name is Japanese, it refers to the draft storyboard. I finish the names and begin dividing them into frames on Sunday. laugh What I did I love was magic tricks and playing cards, I even bought a How-to book and practiced them.

My hobbies were manga or movies. I never start on the next page until I completely finish the one I'm working on; I work strictly on a one-page-basis. Characters: If you ask me who my favorite is, It'd definitely be Josuke. So whenever I am on a roll, when the ideas start cascading, I take advantage of that moment to try to write down everything for later use. g Vanilla Ice. One of the themes of Part 4 is "describing the city, creates the city. I practiced Kendo. Among all those mangakas, the one who moved me most is Yokoyama Mitsuteru Babiru the second. I couldn't see movies so often with the small amount of allowance I had, though. Group sports such as basketball or soccer were not my thing.